• The House of German Art was the greatest revival of Aryan art in history. It showcased some of Germany's greatest artistic talents from a wide variety of art types. Talent was exhalted and venerated, the way it should be, without the dark force that killed true creative energy and praised madness and depravity, which they comically call 'art'.

    Adolf Hitler's Germany was an absolute explosion of creativity in every field of life. Under the Third Reich the most beautiful Aryan flower bloomed. It was cultivated by men and woman who embraced nature's laws and who watered it with eternal truths. It was an art created for the people. All the people. Not pretentious and obscure, it was an art that inspired goodness, that gave a beaten people back their connection to nature, themselves, and each other. It returned to them a sense of pride and wonder. An Aryan resurrection which cast out the shadows of the dark world.

    But it was also something more.

    It was a weapon.

    More powerful and far-reaching than the dreaded V2 rockets. More enduring than any man's mere life.

    When the invading American Army and its allies, rabid with lies and propaganda, seeking the absolute destruction of the German people, rolled into Germany in the the spring and summer of 1945, they immediately began destroying every piece of German art they could get their bloodstained hands on. The great sculptures of Arno Breker were thrown into a junkyard to be melted down. Paintings were desecrated and destroyed by soldiers drunk with lies. Nothing was spared their orgy of unrestrained death and destruction. What they could not steal and carry off they butchered.

    After this initial phase, the American Army decided they would steal untold thousands of pieces of German art, which even today lie in their secret vaults. After 80 years it still remains hidden there. Why would they be so intent on hiding it from the world? Because it was infused with an energy that they vowed to wholly destroy:

    It might inspire.

    It might preserve

    It might awaken.

    To inspire and awaken a world to take a second look at their slaughter of tens of millions of people in a war they waged against common men and women. Compare the art presented on these pages to the filthy, schizophrenic, degenerate waste they present as art today. In twelve short years, only six of them at peace, the Third Reich created mountains of timeless masterpieces. Now as the Aryan race dies under centuries and more of propaganda and lies bent on destroying them, their beautiful expressions of life, their art, dies with them.

    Will one day a raceless man or woman look upon a piece of their art and think "this is from the fabled White race which disappeared long ago, before civilization died..." Or more likely, they will use it as toilet paper.

    There will be no one to mourn us. I hope this art inspires you, Aryan man and woman, to fight for the creative spark within you, to vow to never let that flame die. The unborn children of the future look to you, with sad, uncertain eyes, wondering if you will take hold your destiny and fight. We must break free of the suicidal chains that strangle us. We must awaken the sleeping others of our race to the genocidal plans of our enemies. We must do it now, there is no time to spare.

    We must become instruments of the fight to free our people, to save them from total annihilation, from mass murder. It is a heroic fight of the ages and great men have shown us the way. We must live and breathe our work to save the others, born and unborn. Everyone was born with at least one talent, you must use it to benefit our fight! Your energies, mixed with other fighters, give us a fighting chance.

    Be a soldier.

    Be a hero.

    [Above: 1939 German Art Exhibition. Dangerous art. Dangerous ideas. Ideas dangerous to the monsters who enslave this tired earth. The exaltation of beauty. The beauty of family. The pride of culture and race. Ideas are dangerous, they incite the mind to action. But art touches the soul...]

    [Above: Adolf Hitler and Gerdy Troost in front of the House of German Art, May 1937. Joseph Goebbels is standing to the far right. The architect Gerdy Troost saw the House of German Art be built, using her brilliant deceased husband's designs. She proved to be brilliant herself.]

    [Above: Adolf Hitler, Hermann Göring, Joseph Goebbels and Gerdy viewing the 1939 German Art Exhibition. The House of German Art was a celebration of the Aryan soul. It was open to all people and was celebrated by the public.]

    [Above: The massive halls of the House of German Art.]

    [Above: The massive halls of the House of German Art.]

    [Above: The massive halls of the House of German Art.]

    [Above: Now here is something truly special and unique. This is the hand-painted document awarded to the architect Ludwig Troost (posthumously) from Adolf Hitler himself. It is a large award certificate made of vellum and personally signed by Adolf Hitler. This represented the highest non-military award in the Third Reich, instituted on January 30, 1937. It was encrusted with 1/4 karat diamonds and carried with it a cash sum of 100,000 Reich Marks! The award itself is officially called the German National Prize for Art and Science, and is one of the very rarest of all National Socialist awards. This picture was given to us by its owner, which we thank profusely for the honor of being able to see something so incredibly rare. Danke!]

  • The following images are scanned from period postcards released by the famed photographer Heinrich Hoffmann. There is a fair degree of differences in quality of the postcard printings. The color postcards were, for whatever reasion, done by pressing two pieces of paper together. Obviously, these are only crude examples of the originals, so forgive any low quality printing or damage. You'll note some of these postcards have been sent through the mail, some even by soldiers from the fronts, or even sent years after the war. It is my hope that this gallery shows you the vast quality of the nearly forgotten art of the Third Reich. Through the years I have collected many hundreds of these postcards, but there are many more that I do not possess. Yet. I will try to locate more and place them here when I can. Each postcard is numbered, I'm not sure how many there were total, but the highest numbered postcard I have is #1029 at the time of this writing.

    This was, and is, a very large, time-consuming project, but it is a symbol of my endless love and gratitude to my National Socialist comrades worldwide and to the everlasting spirit of Adolf Hitler.

    *Click all images to enlarge and see the postcard reverse.

    - #4 -

    [Above: This was done by the artist Sepp Hilz, from Bad Aibling, entitled 'Bäuerliche Venus' (Peasant Venus). The model's name is Annerl Meierhanser. Click the image to see a real photo of the artist and model!]

    - #6 -

    [Above: This was done by the artist Hermann Gradl, from Nuremberg, entitled 'Seelandschaft' (Lake Landscape).]

    - #12 -

    [Above: This was done by the artist Robert Knaus, from Böbing, entitled 'Stilleben' (Still Life).]

    - #14 -

    [Above: This was done by the artist Friedrich Stahl, from Rom, entitled 'Eros Triumph' (Eros Triumph - Eros is the God of love and sex).]

    - #16 -

    [Above: This was done by the artist Hans Best (mistakenly shown here as 'Best Hans'), from Munich, entitled 'Bauern' (Farmers).]

    - #19 -

    [Above: This was done by the artist Sepp Hilz, from Bad Aibling, entitled 'Eitelkeit' (Vanity). Note this artist also is featured on postcard #4, using the same model, Annerl Meierhanser. Click the image to see a real photo of the artist and model!]

    - #20 -

    [Above: This was done by the artist Julius Paul Junghanns, from Düsseldorf, entitled 'Ziegen mit Hirt' (Goats with a Shepherd).]

    - #22 -

    [Above: This was done by the artist Wilhelm Hempfing, from Karlsruhe, entitled 'Liegender Akt' (Lying Nude).]

    - #24 -

    [Above: This was done by the artist Otto Scheinhammer, entitled 'Ruhendes Mädchen' (Resting Girl).]

    - #25 -

    [Above: This was done by the artist Richard Klein, from Munich, entitled 'Die Ruhe' (The Peace).]

    - #28 -

    [Above: This was done by the artist Hallberg-Krauss, from Munich, entitled 'Holzfäller im Freisinger Moos' (Woodcutter in the Freising Moor).]

    - #30 -

    [Above: This was done by the artist Friedrich Georg, from Berlin, entitled 'Urteil des Paris' (Judgment of Paris).]

    - #39 -

    [Above: This was done by the artist Sepp Hilz, from Bad Aibling, entitled 'Räuerliche Venus' (Peasant Venus).]

    - #41 -

    [Above: This was done by the artist Schuhmacher Mathias, from Düsseldorf, entitled 'Bogenschützin' (Bowman).]

    - #42 -

    [Above: This was done by the artist Willy Tag, from Auerbach, entitled 'In der Koppel' (In the Paddock).]

    - #43 -

    [Above: This was done by the artist Fritz Klimsch, entitled 'Galatea' (Galatea).]

    - #44 -

    [Above: This was done by the artist Josef Thorak, from Vienna, entitled 'Letzer Flug' (Last Flight).]

    - #56 -

    [Above: This was done by the artist Karl Diebitsch, from Munich, entitled 'Mutter' (Mother).]

    - #71 -

    [Above: This was done by the artist Karl Truppe, from Dresden, entitled 'Sein und Vergehen' (Being and Passing Away).]

    - #72 -

    [Above: This was done by the artist Gustav Traub, from Munich, entitled 'Volksweise' (Folk Song).]

    - #73 -

    [Above: This was done by the artist Adolf Reich, from Munich, entitled 'Um Haus und Hof' (Robbed of House and Farmstead).]

    - #76 -

    [Above: This was done by the artist Sepp Hilz, from Bad Aibling, entitled 'Eitelkeit' (Vanity). Note this artist also is featured on postcard #4, using the same model, Annerl Meierhanser.]

    - #82 -

    [Above: This was done by the artist Ivo Saliger, entitled 'Die Rast der Diana' (Diana's Rest).]

    - #83 -

    [Above: This was done by the artist Ivo Saliger, from Vienna, entitled 'Bad der Diana' (Bath of Diana).]

    - #84 -

    [Above: This was done by the artist Julius Maheinz, from Vienna, entitled 'Rückenakt' (Nude from Behind).]

    - #88 -

    [Above: This was done by the artist Julius Paul Junghans, from Düsseldorf, entitled 'Pflügen' (Plow).]

    - #92 -

    [Above: This was done by the artist Paul Mathias Padua, from Munich, entitled 'Der Führer Spricht' (The Führer Speaks).]

    - #93 -

    [Above: This was done by the artist Sepp Hilz, from Bad Aibling, entitled 'Die Bauernbraut' (The Farmer's Bride).]

    - #94 -

    [Above: This was done by the artist Richard Heymann, from Munich, entitled 'Der ersten Schritte' (The First Steps).]

    - #96 -

    [Above: This was done by the artist Josef Thorak, entitled 'Frauenakt' (Female Nude).]

    - #97 -

    [Above: This was done by the artist Emil Sutor, from Karlsruhe, entitled 'Mutter' (Mother).]

    - #98 -

    [Above: This was done by the artist Paul Scheurle, from Munich, entitled 'Fortuna' (Fortune).]

    - #99 -

    [Above: This was done by the artist Arno Breker, from Munich, entitled 'Anmut' (Grace).]

    - #105 -

    [Above: This was done by the artist Georg Kolbe, from Berlin, entitled 'Flora' (Flora).]

    - #107 -

    [Above: This was done by the artist Franz Weiss, from Kempten, entitled 'Die Todsünden' (The Deadly Sins).]

    - #108 -

    [Above: This was done by the artist Hans Adolf Bühler, from Steinen, entitled 'Heimkehr' (Homecoming).]

    - #109 -

    [Above: This was done by the artist Hans Alfred Roloff, from Berlin, entitled 'Pferde im Gewittersturm' (Horses in a Thunderstorm).]

    - #115 -

    [Above: This was done by the artist Adolf Reich, from Munich, entitled 'Kunst und Naturfreund' (Art and Nature Lover).]

    - #120 -

    [Above: This was done by the artist Adolf Reich, from Munich, entitled 'Aus der Illegalen Kampfzeit in Oesterreich' (From the Illegal Time of Struggle in Austria).]

    - #124 -

    [Above: This was done by the artist Oskar Martin-Amorbach, from Rossholzen, entitled 'Heimkehr' (Returning Home).]

    - #127 -

    [Above: This was done by the artist Carl Ederer, from Düsseldorf, entitled 'Dorfplatz' (Village Square).]

    - #128 -

    [Above: This was done by the artist Julius Paul Junghanns, from Düsseldorf, entitled 'Heimwärts' (Homeward).]

    - #129 -

    [Above: This was done by the artist Julius Paul Junghanns, from Düsseldorf, entitled 'Der lustige Schimmel' (The Funny White Horse).]

    - #130 -

    [Above: This was done by the artist Julius Engelhard, from Binjai, Dutch East Indies, entitled 'Spitzentanz' (Toe Dance).]

    - #134 -

    [Above: This was done by the artist Hans Happ, from Frankfurt, entitled 'Thetis' (Thetis).]

    - #135 -

    [Above: This was done by the artist Johannes Beutner, from Dresden, entitled 'Thetis' (Harvest Rest).]

    - #136 -

    [Above: This was done by the artist Hans Adolf Bühler, from Steinen, entitled 'Heimkehr' (Homecoming).]

    - #137 -

    [Above: This was done by the artist Gustav Traub, from Lahr (Black Forest), entitled 'Volksweise' (Folk Way).]

    - #139 -

    [Above: This was done by the artist Alfred Roloff, from Berlin, entitled 'Pferde im Gewittersturm' (Horses in a Thunderstorm).]

    - #140 -

    [Above: This was done by the artist Willy Tag, from Auerbach, entitled 'Kühe auf der Weide' (Cows in the Pasture).]

    - #141 -

    [Above: This was done by the artist Richard Heymann, from Munich, entitled 'Der ersten Schritte' (The First Steps).]

    - #142 -

    [Above: This was done by the artist Sepp Hilz, from Bad Aibling, entitled 'Die Bauernbraut' (The Farmer's Bride).]

    - #143 -

    [Above: This was done by the artist Will Tschech, from Düsseldorf, entitled 'Kameraden' (Comrades).]

    - #147 -

    [Above: This was done by the artist Karl Diebitsch, from Düsseldorf, entitled 'Mutter' (Mother).]

    - #149 -

    [Above: This was done by the artist Paul Mathias Padua, from Munich, entitled 'Der Führer Spricht' (The Führer Speaks).]

    - #153 -

    [Above: This was done by the artist Hans Alfred Roloff, from Berlin, entitled 'Flüchtende Pferde' (Fleeing Horses).]

    - #154 -

    [Above: This was done by the artist Herbert Kampf, from Düsseldorf, entitled 'Blumenstück' (Flower Piece).]

    - #155 -

    [Above: This was done by the artist H. Best, from [unknown], entitled 'Verschiedene Meinungen' (Various Opinions).]

    - #156 -

    [Above: This was done by the artist Carl Ederer, from Vienna, entitled 'Dorfplatz' (Village Square).]

    - #157 -

    [Above: This was done by the artist Franz Gerwin, from Dortmund, entitled 'Hochöfen' (Blast Furnaces).]

    - #160 -

    [Above: This was done by the artist Ernst Liebermann, from Munich, entitled 'Am Gestade' (At the Shore).]

    - #163 -

    [Above: This was done by the artist Johannes Beutner, from Cunnersdorf, Hohnstein, entitled 'Ernterast' (Harvest Break).]

    - #164 -

    [Above: This was done by the artist Elk Eber, entitled 'Sie Trommeln' (They Drum).]

    - #165 -

    [Above: This was done by the artist Adolf Reich, from Munich, entitled 'Aus der Illegalen Kampfzeit in Oesterreich' (From the illegal Time of Struggle in Austria).]